Gabino Iglesias

Meng Jin's Little Gods is one of the most complex character studies I've ever read. Each of us present a different version of ourselves to different people, and Jin looks at this performance with a clinical eye, showing us what it looks like through the perspectives of different characters. Steeped in trauma, loss, and imperfect love, Little Gods is a novel about performing the self, filtered through academia, abandonment, and migration. This is a smart and emotionally devastating novel.

Lee Goldberg's Lost Hills is not only the first book in what promises to be a superb series — it's also that rare novel in which the formulaic elements of mainstream police procedurals (blood, violence and forensic science) share narrative space with a unique female protagonist. All that, and it's also a love letter to the chaos and diversity of California.

The story of the Lady Franklin Bay Expedition, which would eventually be known as the Greely Expedition, is important in terms of the areas it helped map, the wealth of scientific observations made, and the fact that the group reached the Farthest North — a record that had belonged to the British for three centuries.

The first thing I learned about shopping after moving to Texas from the Caribbean was this: Go to Goodwill.

Andre Perry's Some of Us Are Very Hungry Now is a raw chunk of life sliced into essays packed with truths, devastating realizations, music, failed coping mechanisms, a constant search for the self, and a lot of booze.

The book is divided into three distinct sections, but they merge into a unified chronicle that follows a young black man standing at the intersection of race, art, masculinity, education, and the desire for growth and new experiences.

Carmen Maria Machado's In the Dream House is the most innovative memoir I've ever read.

On the surface, Sam Roberts' A History of New York in 27 Buildings: The 400-Year Untold Story of an American Metropolis is a book about the architectural history of New York City.

As How We Fight for Our Lives is Saeed Jones' biography, it is a unique narrative of the events that shaped him.

Turkish novelist Ahmet Altan is one of many writers thrown in prison by Recep Tayyip Erdoğan's oppressive regime.

Patti Smith's Year of the Monkey is a beautiful, elegant, and poetic memoir that takes a single year in the artist's life, 2016, and delves deep into the events that shaped it — and the feelings and memories they produced.

Paul Kingsnorth's Savage Gods is a series of questions in the shape of a book.

On the surface, the writing deals with the author trying to make sense of his need to belong to something meaningful, his desire to connect with an older reality tied to the earth. Right underneath that, however, are a series of other questions that wriggle around like termites inside the wood of Kingsnorth's heart: What does it mean to belong? Can we connect to culture in a world where there is none? Can words truly communicate life?

I love books that make me feel uncomfortable. I love books that crawl into an invisible space under my ribs and stay there like a twitching parasite. Rachel Eve Moulton's Tinfoil Butterfly did both. I don't know what her writing process was like, but if it resembled the way I read it, I can picture her bent over a desk in a dimly-lit room, typing away furiously while breathing the short, violent breaths of a scared animal.

Rob Hart's The Warehouse is an entertaining read as a slightly dystopian cyberthriller. But start looking at how plausible it is, notice all the ways in which the things Hart describes — awful healthcare, limited employment opportunities, and global monopolies — are already here, and it becomes a horrific cautionary tale that makes you wonder if we're already too far into a disastrous future, or if there's still some hope for humanity.

Jill Heinerth's Into the Planet starts with the world-renowned cave diver almost dying while being one of the first humans to search for caves inside the B-15 iceberg, the largest moving object on earth.

Investigative reporter Ian Urbina realizes that, for many people, the sea is "simply a place we fly over." That's why in The Outlaw Ocean he works so hard at sharing some of the wildest, darkest dramas taking place in seas and oceans across the world.

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