Michael Schaub
Michael Schaub is a writer, book critic and regular contributor to NPR Books. His work has appeared in The Washington Post, The San Francisco Chronicle, The Portland Mercury and The Austin Chronicle, among other publications. He lives in Austin, Texas.
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Emily St. John Mandel's powerful new novel follows a troubled brother and sister who get involved with a crooked hotel magnate whose Ponzi scheme destroys the lives of his investors.
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Anna Burns gained fame in 2018 when her third novel, Milkman, won the Man Booker Prize. Little Constructions is her second novel, about a woman's vendetta against her violent, abusive brother-in-law.
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One of America's best storytellers does it again: Erik Larson's gripping account of Winston Churchill's leadership through Hitler's bombing campaign against England is nearly impossible to put down.
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Amy Bonaffons deftly avoids the trap of saccharine sweetness in her new novel about a ghost serving out a 90-day sentence on Earth — and the woman he falls in love with.
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Stephen Wright's new novel is a darkly funny satire of American consumer culture, set in a Day-Glo alternate reality that's unsettlingly close to our own. It's an exhausting but unforgettable read.
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A new book by Nicholas D. Kristof and Sheryl WuDunn is an agonizing account of how apathy and cruelty have turned America into a nightmare for many less fortunate citizens. But it is not without hope.
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Scarlett Thomas' novel, set among wealthy girls at a British boarding school, is an audacious examination of disordered eating and social competition that turns dark when one of the girls drowns.
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Crissy Van Meter's debut novel is so assured, it's hard to believe it's a debut. It's the story of a young woman dealing with her mother and her difficult family history on the eve of her wedding.
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It's easy to make fun of disgruntled teenagers, but in his funny new Nietzsche and the Burbs, author Lars Iyer depicts them accurately and with real sensitivity, never mocking or condescending.
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Via popular music, Andrew Grant Jackson paints a vivid portrait of a year that was the last gasp of an age of possibility, when idealism gave way to economic recession and cynical disillusionment.