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  • Comedy writer Emily Spivey could watch the comedy 9 to 5 a million times. "It really showed me that women are just as hysterical and funny as men," she says.
  • Dandies are much more than just Yankee Doodle, and an exhibit this summer at the Rhode Island School of Design Museum celebrates these men at the cutting edge of fashion and design — from Beau Brummell to Mark Twain and beyond.
  • Every piece of plastic on their battle armor must be perfect for the Stormtroopers of the 501st Legion, especially if they are going to defend the honor of the Galactic Empire — or maybe just the honor of a fan costuming group — at Comic Con San Diego next week.
  • Waters created Drunk History after hearing a friend sloshily recount the story of Otis Redding's death. Now, the popular series has been picked up by Comedy Central, where viewers can see famous actors lip-sync drunken narrators' laughably wrong versions of historical events.
  • Finding poetry / in the news of the moment / can be rewarding.
  • NPR's Jacki Lyden discusses the new sound art exhibit opening Saturday at the Museum of Modern Art in New York City. Featuring 16 young contemporary artists, the gallery explores sounds from abandoned buildings to underwater insects.
  • Inspired by the recent release of the movie The Lone Ranger, we return to the thrilling days of yesteryear — 2008 — for an encore broadcast of a profile of the Lone Ranger for the series "In Character."
  • Edward Snowden's release of classified information, search for asylum and avoidance of extradition to the U.S. seem to be straight out of a movie plot. Audie Cornish speaks with best-selling author David Baldacci for his take on scripting Edward Snowden, the movie.
  • Boston's Shaw Memorial depicts the 54th Massachusetts Regiment, which was crushed 150 years ago in South Carolina. It took American sculptor Augustus Saint-Gaudens 14 years to complete the Boston Common landmark.
  • When dictionaries add trendy words like "twerk," they're prioritizing the fleeting language habits of the young, says Geoff Nunberg. And our fascination with novel words tends to eclipse subtle changes in the meanings of old ones — "which are often more consequential," he says.
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