Ailsa Chang

There's this one story, in a new book by comic artist Allie Brosh, where four guys dress a dog in a humiliating costume and parade him down Las Vegas Boulevard — all to celebrate some human's birthday. Needless to say, the dog is confused, and overwhelmed.

Dr. Joel Zivot stared at the autopsy reports. The language was dry and clinical, in stark contrast to the weight of what they contained — detailed, graphic accounts of the bodies of inmates executed by lethal injection in Georgia.

Do you love a great story?

Try Daniel Nayeri's new autobiographical novel, his first, Everything Sad is Untrue (A True Story), which begins with these memorable words: "All Persians are liars and lying is a sin."

That's what the kids in Mrs. Miller's class think, but I'm the only Persian they've ever met, so I don't know where they got that idea.

My mom says it's true, but only because everyone has sinned and needs God to save them. My dad says it isn't. Persians aren't liars. They're poets, which is worse.

It was Memorial Day, May 25th, 2020. The coronavirus had locked down the country for weeks. Tens of thousands had died. Millions were out of work. And in Minneapolis, a 46-year-old Black man named George Floyd went to buy a pack of cigarettes.

Floyd's stop ended with a police officer's knee dug into his neck for nearly nine minutes. Floyd begged for his life, called for his mother and repeatedly told the police, "I can't breathe." His cries went unanswered and he died in police custody.

Historically Black colleges and universities have an extra factor to consider as they plan on how to operate this next school year: Black communities are disproportionately impacted by the pandemic.

According to the COVID Racial Data Tracker, Black people are dying from the coronavirus at two and a half times the rate of white people.

COVID-19 has now killed more than 148,000 people in the U.S. On a typical day in the past week, more than 1,000 people died.

But the deluge of grim statistics can dull our collective sense of outrage. And part of that has to do with how humans are built to perceive the world.

Across the country, students of color have been demanding change from their schools. At one Denver school, the push for a more inclusive and diverse curriculum came last year, from a group of African American high school students at Dr. Martin Luther King Jr. Early College.

Pirette McKamey is fighting for anti-racist education.

Over her more than 30 years as an educator, the principal at Mission High School in San Francisco spent a decade leading an anti-racism committee.

In the weeks since police killed George Floyd in Minneapolis, people around the U.S. and the world have flooded the streets in rage and protest against police violence toward African Americans.

Looting, fires, vandalism and the National Guard on the streets — for many, the unrest of 2020 evokes memories of the destructive riots of 1992 in Los Angeles.

Both times the protests began in anger over police violence against black men — in 1992, when four police officers were acquitted of the brutal beating of Rodney King; now, when George Floyd died in Minnesota after a policeman knelt on his neck for nearly nine minutes.

Over her decades-long career, Tracee Ellis Ross has starred in beloved shows such as Black-ish and Girlfriends. But as she sees it, her latest role is her most daunting one yet. In The High Note, available to stream on Apple TV on May 29, she plays a superstar singer named Grace Davis, who's facing career stagnancy. Meanwhile, Davis' personal assistant Maggie (played by Dakota Johnson) has musical ambitions of her own as an aspiring producer.

"Immunity passports" have been proposed as one way to reboot economies in the wake of the coronavirus pandemic.

The theory is this: The approval of the so-called passports would rely on the positive results from an antibody test of your collected blood sample. If you have antibodies to the coronavirus after recovering from an infection, you might be immune from future infection and therefore could be authorized to work and circulate in society without posing a risk to yourself or others.

At least, that's the idea.

School hasn't ended yet in most places around the country. But educators are already grappling with what the next academic year will look like, as the future spread of the coronavirus in the U.S. remains unclear.

This week, California State University — the largest four-year public college system in the country — announced it plans to suspend in-person classes for its roughly 480,000 students for the semester beginning in August and move most instruction online.

The university system consists of 23 campuses, covering an 800-mile swath of the state.

Coronavirus fatalities in nursing homes and other long-term care facilities account for at least one-third of the deaths in 26 states.

Beanie Feldstein does not like the way teenage experimentation and growth gets dismissed as just a phase. "There tends to be the sort of stigma or judgment," she says, whether it's about dress, mood, makeup, or music choice.

What she loves about her latest film, How to Build a Girl, is that it gives teen phases the respect they deserve. "Those phases matter," she says. "It doesn't mean they're going to last, but they do matter. ... I think we could all be reminded of that lesson — especially adults."

The coronavirus outbreak has thrown hospital systems throughout the U.S. into crisis — both medical and financial. The cost of treating coronavirus patients, combined with the loss of revenue from canceling elective procedures, has left many hospitals in desperate financial straits.

Some estimates suggest hospitals are losing $50 billion a month, says Rick Pollack, president and CEO of the American Hospital Association.

What does it mean to call a woman ambitious, disciplined, mature, or feisty?

A new essay collection explores how these words, which may sound complimentary, are loaded with sexist ideas that diminish the women they describe.

Pretty Bitches, edited by Lizzie Skurnick, examines how everyday language creates double standards in the workplace, raises unrealistic expectations about how women should behave and look, and punishes them when they step outside the bounds.

Editor's Note: This interview contains descriptions that some listeners and readers may find disturbing.

Sex, power and assault are at the heart of a new study that looks at what it is that makes college the perfect storm for misunderstandings around sexual encounters.

Beginning in 2015, Professors Jennifer Hirsch and Shamus Khan interviewed more than 150 Columbia and Barnard College undergrads to learn about their sex lives. What they wanted out of sex, how troubling encounters unfolded, and how layers of misunderstandings led to assault.

The past is prologue in Steph Cha's new novel, Your House Will Pay.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

ARI SHAPIRO, HOST:

As the protests in Hong Kong press on, the clashes have grown increasingly violent. But there are peaceful gatherings too, like this one at a secondary school for boys.

UNIDENTIFIED STUDENT: Fight for freedom.

In the industrial city of Dongguan, China, the effects of the trade war on the Chinese economy are measured in idled machinery and empty bar stools.

"One year ago, you probably couldn't even get through the crowd because it would be so busy. But right now, even the smallest vendors can't survive," says Song Guanghui, the owner of Crowdbar, a tricked-out food stall in an open-air market in Dongguan.

Copyright 2020 NPR. To see more, visit https://www.npr.org.

STEVE INSKEEP, HOST:

What's it like to be in China as it marks 70 years of communist rule? In Tiananmen Square, facing the famed red outside wall of Beijing's Forbidden City, tanks and missiles rolled past in a military parade today.

(SOUNDBITE OF MUSIC)

Seventy years ago, Mao Zedong appeared on a balcony overlooking Tiananmen Square and conjured a new country into being. On Tuesday, Xi Jinping, arguably the strongest leader since Mao, appeared on that same balcony to reaffirm his vision of modern China.

That vision includes what Xi has repeatedly referred to as the "Chinese Dream," one pillar of which is the idea that all Chinese should have access to the shared prosperity of the nation.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

AILSA CHANG, HOST:

Common is no stranger to showing emotion. With more than 20 years in the spotlight, the Chicago-hailing rapper, actor and activist has worn his heart on his sleeve publicly for years and won plenty of accolades for it. Common is one of the few distinguished artists to have won an Emmy, Grammy and Oscar award in the span of his career.

Filmmaker Nanfu Wang grew up in rural China under the country's one-child policy, which was announced in 1979 and not officially rescinded until 2015.

Born in 1985, Wang never knew a life without it — as a kid, she remembers seeing propaganda promoting the rule everywhere.

"At some point, it just became a normal part of life, just like the air, the water, the tree," she says. "And you just stop paying attention, stop questioning, because it has always been there."

There were propaganda matchboxes, lunchboxes, murals and songs on TV.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

AILSA CHANG, HOST:

Journalist Harriet Shawcross is fascinated by silence: why we speak, and why we don't.

She's traveled the world seeking answers to those questions, meeting earthquake survivors in Nepal, a silent order of nuns in Paris, a Buddhist retreat in Scotland. She's written a book about it, called Unspeakable: The Things We Cannot Say.

Menopause blindsided author Darcey Steinke. The hot flashes and insomnia were uncomfortable. The depression was debilitating. And the cultural expectations — that postmenopausal women are no longer interested in sex — made her both frustrated and angry.

"I feel like in the world we live in, the patriarchal world, women are most valued for their sexuality and their motherhood," Steinke says. "Once menopause comes, there's a feeling of shame that comes for a lot of women."

Moms perform heroic tasks every day, but they rarely get portrayed as superheroes. That changes in the new film Fast Color, which tells the story of three generations of black women — a daughter, a mother and a granddaughter — all of whom have supernatural powers.

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