Mallory Yu

In the industrial city of Dongguan, China, the effects of the trade war on the Chinese economy are measured in idled machinery and empty bar stools.

"One year ago, you probably couldn't even get through the crowd because it would be so busy. But right now, even the smallest vendors can't survive," says Song Guanghui, the owner of Crowdbar, a tricked-out food stall in an open-air market in Dongguan.

Seventy years ago, Mao Zedong appeared on a balcony overlooking Tiananmen Square and conjured a new country into being. On Tuesday, Xi Jinping, arguably the strongest leader since Mao, appeared on that same balcony to reaffirm his vision of modern China.

That vision includes what Xi has repeatedly referred to as the "Chinese Dream," one pillar of which is the idea that all Chinese should have access to the shared prosperity of the nation.

Petra: It's Saturday! (Or actually, as we're posting this it's now Sunday) I feel the need to reiterate this, lest I forget what day it is or which direction is up! Saturday tends to be the day people bust out their best cosplays — I saw some truly amazing getups, including countless Deadpools (Deadspool?), a lot of women dressed as Loki and Doctor Strange, a really well-done armored Cersei Lannister, Missandei of Naath carrying her own head, and my personal favorite, Logan and Jessica from Logan's Run, complete with life-clocks in their palms.

Mallory: It's Friday! By this point in the con, the crowds are much crowdier, the lines for everything are much longer, the cosplay is starting to come out ... we're in the full swing of things, folks.

Welcome to the 50th San Diego Comic-Con!

A good convention is almost a ritual space — a time and place away from time and place. Once you step through that glass door and swipe your badge, you could be anywhere, anywhen; the hours pass by outside and you don't notice. It's almost as if the rest of the world doesn't exist — you are at Comic-Con. You have always been at Comic-Con. What I'm trying to say, here, is that I've barely been here 24 hours and I already don't know which way is up or really what day it is. Mallory, I hope you're less disoriented than I am.

Sarah Kuhn's I Love You So Mochi begins with Japanese American student Kimi Nakamura at a crossroad. Her last spring break of high school is coming up, she's about to graduate and start attending a prestigious art school. But here's the thing: She's not so sure anymore that she wants to be a painter like her mom. She's not sure what she wants.

I don't remember when the concept of consent as it relates to sex became part of my vocabulary, but it shapes how I approach my personal relationships and affects the way I move through the world. I was shaken when the #MeToo movement exploded, not only by the stories of sexual assault and harassment but also by the stories of women who had felt pressured or coerced into having sex they didn't want.

Demystifying Kink

May 17, 2019

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ARI SHAPIRO, HOST:

The late pop star Michael Jackson, once hailed as the King of Pop, is the focus of the new documentary Leaving Neverland, which airs this weekend on HBO. The four-hour documentary centers on two of Jackson's alleged sexual abuse victims, Wade Robson and James Safechuck. Robson and Safechuck, now both in their 30s, say that Jackson sexually abused them for years when they were as young as 7 and 10 years old. Filmmaker Dan Reed spent three years putting this documentary together.

Director Dan Gilroy is back with a new film called Velvet Buzzsaw.

Like his last movie, Nightcrawler, Gilroy is the writer and director. And also like his last film, this one stars Jake Gyllenhaal and Rene Russo. Gyllenhaal plays an art critic named Morf Vandewalt, Russo a gallery owner named Rhodora Haze. And the movie hinges around the work of the late artist Vetril Dease.

As the names may give away, Velvet Buzzsaw is a comedy. It's also a horror movie, where the killer is — wait for it — the works of art.

When comics creator Taneka Stotts accepted an Eisner Award — the comics industry's highest honor — this year for her anthology Elements: Fire — A Comic Anthology by Creators of Color, she was fired up.

"I hold this award," she said, "and I declare war on the antiquated mentality that tells us our voices and stories aren't 'profitable' enough ... we're not waiting for you to catch up anymore. We are here, we have always been here, and we will do as you've always told us. We will make it ourselves."

The new movie If Beale Street Could Talk is based on a James Baldwin novel of the same title.

Barry Jenkins (Moonlight) adapted and directed the film. And in working with the Baldwin estate, he received a leather notebook filled with Baldwin's handwritten notes about how he would have approached a film version.

Writer and artist Emil Ferris won three Eisner Awards — the highest award in mainstream comics — for her graphic novel My Favorite Thing is Monsters. It's a huge tome, full of inky, scratchy drawings done in ballpoint pen, ranging from loose sketches to lovingly rendered covers of pulp horror magazines.

One of the freshest reboots in the world of comic books is based on a kids show that debuted back in the '60s: The Flintstones. But this isn't the "modern Stone Age family" you might remember from your childhood.

Cartoonist Thi Bui's Eisner Award-nominated graphic memoir is called The Best We Could Do; it's the story of her family in the years before, during and after the Vietnam War. The Eisners — mainstream comics' top award — are given out every year at San Diego Comic-Con, where Bui was one of this year's featured guests.

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