Martha Anne Toll
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The reporter's memoir takes readers on a jaunt through her captivating life and career, nose for the jugular, forthrightness about her joys and sorrows — and the history of women in the workplace. -
Jori Lewis tells eye-opening stories of individuals despite scant historical record. At the outset she asks: "How do we tell the stories of people that history forgets and the present avoids?"
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Turkish American writer Mina Seçkin's debut is an engrossing exploration of national identity, the meaning of family and loss, and what happens when a family hides its central secret.
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Atticus Lish's book opens a disturbing window into a teenager's battle to save his mother, our broken healthcare system — and the power that humans have to inflict harm on one another.
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Thirii Myo Kyaw Myint's second book reads like poetry, an embodied experience of exquisite reflections on family and rootedness and deracination and sorrow and love.
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It's a particular pleasure to see our splintered country through the eyes of Margarita Gokun Silver, a determined and appreciative emigree, in 'I Named My Dog Pushkin.'
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In her debut collection Walking On Cowrie Shells, Nana Nkweti bends language like a master, delivering keenly observed details and wicked humor no matter which side of the Atlantic she's on.
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In 1904, Cassandra Lane's great grandfather Burt Bridges was lynched. In telling his story, Lane offers her own memoir — and lessons on family and American history for her future child and readers.
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Marguerite Duras' never-before-translated debut novel The Impudent Ones, first published in 1943, isn't a pleasant read — but it is a signpost to what she would later achieve with The Lover.
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Journalist Matthew Gavin Frank exposes the history of South Africa's nefarious diamond industry, accompanied by a tale of pigeons and their role in subversion, in crisp and poetic prose.
